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The music of John Fogerty has always lent itself to a live setting.
Just ask the uncounted bar bands who, for years, have kept the patrons
placated with open-ended renditions of "Proud Mary" or
"Born On The Bayou," "Green River" or "Bad Moon
Rising." Here, obviously, is music meant to be heard up-close and
in-person.
It's
all the more ironic, then, that the man who has made some of the most
spontaneously celebratory sounds the world has ever known should himself
have been woefully underrepresented in the live recording arena. The
documentary evidence of John Fogerty live can, in fact, be
counted on the fingers of one hand: "Live In Europe," recorded
during Creedence Clearwater Revival's 1971 continental concert tour and
released two years later, after the group's demise; 1981's "The
Concert," originally released as "The Royal Albert Had
Concert" before the record company confessed it actually contained
material recorded in Oakland, California in 1970; 1985's "John
Fogerty's All Stars," an in-concert television special (never
commercially released), along with, of course, the requisite muddy and
muffled bootlegs making the record collector rounds.
For fans of authentic American rock 'n' roll,
passionately and persuasively performed, it seems that the legend of John
Fogerty's electrifying stage presence would remain just that
a you-shoulda-been-there tall tale told by veteran fans.
John Fogerty delivers the timeless essence of
his music. A genuine showman, an entertainer dedicated to the
proposition that every audience deserves his very best, John Fogerty
on stage is a sight to behold and a sound to savor.
Fogerty undertook an extraordinary personal and
creative odyssey following the release of his two solo comeback albums:
1985's "Centerfield" and 1986's "Eye
Of The Zombie." It was a search that brought him both to a
nurturing and supportive family environment with his marriage to wife
Julie and to a musical rebirth as he explored the back roads and by-ways
of the American South in search of his musical roots.
The results of that journey are brilliantly chronicled
on "Blue
Moon Swamp," his 1997 release and first new record of original
material in more than ten years. Hailed as a true original's triumphant
return to form, "Blue
Moon Swamp" would eventually go on to garner the artist his
first-ever Grammy for Best Rock Album of the year.
John Fogerty was honored as a composer, with
the 1997 Lifetime Achievement Award from the National Association of
Songwriters, and as an instrumentalist, with the Orville Gibson Lifetime
Achievement Award. The music of "Blue
Moon Swamp" also served as the basis for a solo concert tour
that, at long last, returned this consummate guitarist, singer,
songwriter and quintessential rock 'n' roll performer to the spotlight
and landed him Performance Magazine's Theater Tour of the Year Award.
Fogerty's Blue Moon Swamp tour, which took him and his
crack backing band across America and Europe, was universally hailed as
the concert event of the season. "John Fogerty must have struck a
deal with the devil," wrote Jim Farber in Now Entertainment.
"Nothing else explains the supernatural perfection of his
show." Wrote David Hinckley in the Daily News, "John
Fogerty, in top voice, with a wonderful new band and a newfound
depth to his guitar work, couldn't do a bad show any more than Michael
Jordan could play a bad basketball game." "By the end of the
evening," asserted Robert Hilburn in the Los Angeles Times,
"John Fogerty had proven that he remains one of the
treasures in rock."
Notable songs include --
- Swamp River Days
- Rock and Roll Girls
- Rockin' All over the World
- Almost Saturday Night
- Old Man Down the Road
- Centerfield
- Blueboy
- Blue Moon Nights
- Hundred and Ten in the Shade
- Knockin' on Your Door
John Fogerty may be available for your next special
event!
For booking information, click
HERE!
Genre: ..Rock 1
Styles:
..Classic Rock
..Heartland Rock
..Roots Rock
..Contemporary Country
..Rock & RollYears active:
..70s, ..80s
Born: ..in California
..in Berkeley
May 28, 1945
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