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Guitarist/composer Joesf Glaude is truly a
gypsy spirit, a bohemian in the truest sense of the word. He has spent
his life living in places as diverse as Nova Scotia, Canada - Kerela,
India - Ashton Under Lyne, England - Santiago Attitlan, Guatemala -
Zaire, Africa - and all over the U.S. His experiences bring a
refreshing spirit to his talent as a guitarist and composer.
Joesf Glaude draws on this wide range of
influences to create "an instrumental art form of textures, moods
and melody. It is an improvised music based on very structured ideas."
His style is influenced strongly by artists as varied as African
guitarist Ali Farka Toure, sitar player Ravi Shankar, and from jazz artists
Duke
Ellington and Eric Dolphy
to classical composers such as C.P.E Bach to
Stravinsky.
"From Classical I learned the importance of
structure and melody. From jazz I learned freedom. From world music I
learned to challenge myself with new ideas. From the liturgies and
vespers at mass and from the Poor Claire nuns I learned the value of
silence and spirit. Music has as much to do with where we are as who we
are. We are influenced, stylistically, by our experiences as well as by
what we hear."
More than just a guitarist, Joesf Glaude also plays mandolin,
banjo, tenor banjo, tenor guitar, harmonica, melodica, flute, dulcimer,
bass and violin.
"I have often been asked why I don't overdub the
instruments instead of writing parts for others. The answer is quite
simple – I believe that music should breathe ... it is alive and the
interpretation of those parts by others enhances the musical experience.
I have never heard a CD in which one person recorded all the parts that
did not sound one-dimensional. I also enjoy playing (even in the studio)
with musicians."
"In the studio, all recordings are done live; As
Thelonius Monk said, if you can't do it in three takes you can't
do it. Classical and jazz artists have recorded that way for years. I am
not anti-technology, but do tend to avoid overusing technology. I don't
want to separate the natural sound of the instruments from the
listener."
Joesf's love of music came very young. " I remember,
it was the late sixties and the Beatles song 'She Loves You' came over
the radio; I can still describe the whole scene – even what my mother
was wearing. I knew then that I wanted to be a musician and that
Christmas I got a harmonica. I drove my family nuts playing 'Love Me Do'
and Dylan songs."
At the age of ten he decided he wanted to play guitar,
so his Grandfather Glaude gave him his tenor banjo. "It's not that I was
unappreciative, I just really wanted a guitar. So, I tried learning a
lot of folk music, stuff by Lobo, Peter, Paul and Mary, The Kingston
Trio and Ian and Sylvia as well as any ragtime or New Orleans music I
could find." He also learned to play the Autoharp that was at his
church. "Sister Mary Paschel always had time for us kids."
It was at this time that he discovered Bluegrass and the Mandolin. " It
was a revelatory thing. I discovered the similarities between
instruments – anything I could play on tenor banjo, I could play on
mandolin and with a few adjustments, the guitar."
"I got my first mandolin at a yard sale and my first
guitar by trading some of my Beatles cards, an Elvis poster, my X-men
comics and half my collection of 45's."
This convinced his parents of his commitment to music,
so his father got him guitar lessons from Charlie Johnson, a local jazz
guitarist. Mr. Johnson tried to ground Joesf in basic theory and chord
structures, but it was at the same time that he discovered girls and
opted to form a punk rock band "Tropical Skin Disease."
Mr. Johnson's lessons were not completely wasted
because he left with an appreciation of theory and the knowledge that in
order to write good music you must know what good music is. That means
understanding why it is good and how to re-create it. Ultimately, you do
play what you hear. "Even though I was playing in a punk rock band I was
still listening to a variety of music."
By his senior year in high school he was playing tenor guitar and
dulcimer in a folk band (Oracle), 5-string banjo, mandolin, acoustic
guitar and bass in a country/bluegrass band (90 Proof) and 12-string
guitar in a Christian folk/rock band (Clipper).
By college, Joesf Glaude discovered a real
passion for the guitar – theoretical as well as practical. As a guitar
major at Christopher Newport College in Virginia he began playing with
the Williamsburg Chamber Orchestra, as well as in a jazz combo (The Wiz
Kids) and a swing band (Duke). "The Wiz Kids also played Dixieland and I
would switch between guitar and tenor banjo."
His longest running band was Mirrors and Changes, a
jazz/fusion group (in the vein of "Weather Report," " Headhunters,"
etc.) for whom he played guitar, keyboard and six string bass.
In 1994, he moved to Tulsa, Oklahoma, and became Head
Guitar Instructor
at Oral Roberts University. In 1999 Joesf Glaude returned
exclusively to the performing arts, focusing on small groups or solo
acoustic music (which he refers to as neo-classical) and jazz.
In March 2002, he began a designing project with a
local guitar craftsman which resulted in the production of his own
custom-made, one-of-a-kind, all-wood harp guitar. This newest addition
to Joesf's collection of more than 20 guitars and stringed instruments
provides listeners with even more of the wonderful music that originates
from Joesf's hands and the moving sounds that can only come from
Joesf Glaude.
Joesf's philosophy of music, regardless of style, is a very "jazz"
philosophy – one in which you play free ... and "if you play it the same
way twice you are doing something wrong."
Music should evoke a spectrum
of thoughts, ideas and emotions, without having to surrender to words.
Music, like life, is about growth and growth means change. What
Joesf Glaude conveys in his music is life experience and faith – and
to his listeners it is a wonderful experience.
What others say --
- Jeffery Hiatt-Frink -
Composer, Recording artist and guitar aficionado:
"Joesf's music is lyrical and
provocative. He joins Jazz technique with original melodic ideas....
very enjoyable listening."
Joesf Glaude may be available for your next special
event!
For booking information, click
HERE!
Genre: ..Jazz
Styles:
..Classical
..Neo-Classical
..Jazz
..Instrumental GuitarYears active:
..90s, 00s
Born:
1962
..in Virginia
..in Newport News
Based:
..in Oklahoma
..in Tulsa
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