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It's the summer of 1998 and Hootie & the
Blowfish are about to step on stage downtown in New York City's
Battery Park as part of the opening ceremonies of the Goodwill Games. On
the surface, you wouldn't think all that much had changed with the band.
It's still the same four unassuming guys who introduced themselves in
the summer of 1994 with the release of their Atlantic Records debut; the
same band that went on to sell more than seventeen million albums across
the U.S. and earn a pair of Grammy Awards along the way. Not to be
overlooked, they're also the same South Carolinians who, when they find
themselves with a day off on the road, might just as well book
themselves into a club for a surprise show...for the fun of it.
In a review of the band's three-hour performance at
Boston's Avalon, The Boston Globe praised the group's set of ten new
songs for revealing a "greater depth and expanded songwriting
chops," adding that "the band has matured and is not afraid to
take chances. The increased song variety, and its lyrical richness,
suggested that the Blowfish is not resting on any laurels..."
"Cracked
Rear View," took its title from a
